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I have had the opportunity to encourage several more editors to beware of the first-rights-reselling writer discussed in my earlier post, just in the short time it's been up. But meanwhile, over on the M-Brane blog, I was taken to task thus by one "Geraldo":

"You only pay $10.00? That's less than a cheeseburger deluxe. You really should pay professional rates, or at the very least strive to pay semi-pro rates or a decent flat fee. Sometimes writers make a living at this, and it's a known fact that, in some circumstances, reprints can be submitted for the lifetime of a writer's career. How can a writer live on ten dollars? Unless you are just a hobbyist publication, then it is understandable."

My reply there to this comment was perhaps overly harsh, especially the concluding "give up on your dream" statement, but I am admittedly rather prickly about this topic. Yeah, sure, I'd love to pay more for fiction for M-Brane, and I would if I could. And I expect to be able to do so one day. But as things stand right now, the thing makes no money at all (literally zero revenue in the last month), and I subsidize its minimal costs out of pocket and I don't even have to fucking do it! I do it out of love, same reason writers write short stories. Pay the bills? Make a living? On short fiction? Give up that dream right now.

(no subject)

Date: 2010-07-23 05:51 am (UTC)
From: [identity profile] silviamg.livejournal.com
Pay rates have nothing to do with etiquette. There's token markets and pro-markets and semi-pro.

I've sold more than one reprint. But I've looked for publications that take them, and informed them that it is a reprint. It's just a simple case of following the guidelines. I always ask if there's no clear info on reprints.

Btw, I've been paid pro-rates for fiction and you can't make a living off it just doing short fiction.

I'll make more money off the average non-fiction article, and it's usually far shorter than a fic piece.

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